Thoughts as I listen to Rolling Stone's Top 500 albums, from 500 to 1
181. Bob Dylan, "Bringing It All Back Home"
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This album, which is just stuffed with well-known and important songs, kicks off with one of the best of those well-known songs - indeed, one of the best songs of all time, "Subterranean Homesick Blues." I'm going to post the video here, because it's a great song and it was probably also the first "music video," in the sense that it was a short film created specifically to promote the song and the album.
I've listened to this album a few times in the past couple of days, and I just had to stop and watch that video all the way through and listen to the song again. I love how bored Dylan looks (and how young, Jesus), as he flips through the cards and then gingerly walks away. The song itself, clearly inspired by Muddy Waters, is so good that John Lennon, who is not exactly a songwriting slouch, said he wasn't sure he could ever write a song as good. That's a pretty good song.
And that's just the first song! The next song, "She Belongs to Me," returns to the more folky sound associated with early Dylan after the clearly rock-influenced "Subterranean." And then "Maggie's Farm," and then "Love Minus Zero," all iconic songs, and all recorded in two days, January 14 and 15, 1965. That's a couple of good days at the studio! (A personal note: my former cat, who has long since passed on to a higher plane of cat existence, was named "Maggie" after "Maggie's Farm.")
This may be the first album where every single song is blue on Wikipedia. That's how deeply these songs are woven into popular culture. I mean, the 8th track (well, first on the second side) is "Mr. Tambourine Man," which would be such a huge hit for the Byrds that a lot of people assumed it was their song.
The album is roughly divided into the first "electric" side and the second "acoustic side," reflecting Dylan's own position at the time, torn between the pure acoustic folk sound that he had started out with and the heavier rock he was gravitating towards. The latter side closes with "It's Alright, Ma (I'm Only Bleeding)" and "It's All Over Now, Baby Blue," both incredible songs that show off Dylan's jam-packed lyrics. From "Ma:"
Disillusioned words like bullets bark As human gods aim for their mark Make everything from toy guns that spark To flesh-colored Christs that glow in the dark It’s easy to see without looking too far That not much is really sacred
While preachers preach of evil fates Teachers teach that knowledge waits Can lead to hundred-dollar plates Goodness hides behind its gates But even the president of the United States Sometimes must have to stand naked
An’ though the rules of the road have been lodged It’s only people’s games that you got to dodge And it’s alright, Ma, I can make it
It's been observed that Dylan was sometimes doing an early version of rapping - sing-speaking densely lyrical verses, spitting on the social issues of the day (most of which, sadly, remain the issues of the day), and both "Subterranean" and "Ma" show this feature off admirably.
Honestly, I'm surprised this album isn't higher on the list.
Does this album deserve to be in the Top 500? Like you have to ask.
Sorry for the service interruption! Monday I had, like, work stuff to do and yesterday I was picking my wife up at the airport and they lost her bag and we had to file a claim about that and by the time I got home it was well into my Work Hours and you know, I'm just sorry. (This was tail end of quite a journey for my wife that found her taking off in Ireland and landing in Newark, New Jersey, and then sitting in a plane for almost three hours and then the flight just getting cancelled and then staying in the Courtyard by Marriott in downtown Newark, NJ [not recommended, she says] and then getting on a flight to SFO at 6:30 am and finally getting back here a solid 14 hours later than expected.) Speaking of the greater New York City metropolitan area, a group of kids from Amityville, Long Island, got together in 1988 and started making songs and released this album, one of the best in hip hop or any other genre, in 1989. De La have been called the "Beatles of hip hop"
Do you want the good news or the meh news first? The good news is that this album is better than the other Joni Mitchell albums we've seen , or at least better for me. I hated one of them and barely tolerated the other, so I was not expecting to like this, and after three listens yesterday, it was not as bad as I'd feared it would be. The meh news? I still don't love Joni Mitchell and I don't particularly like this album. Obviously, since it's the number 3 out of the Top 500 albums ever made, a lot of people feel differently. Pitchfork called it "possibly the most gutting break-up album ever made," which may be true, who knows, but if it is it's about breaking up with a whole series of dudes, from Graham Nash to James Taylor to some guy named Carey. (In Pitchfork's estimation, this is the 86th best album of the 1970s, so not exactly in number 3 overall territory). One thing that bugs me is Joni Mitchell's voice, which I find kind of g
500 albums later and we're out of albums. This album was number 6 on the last iteration of the Rolling Stone list and has now moved up to number 1 (displacing Sgt. Pepper , which was the last album to hold that spot). I think it's a lovely album with maybe three absolutely incredible songs, a fair amount of average-to-good, and some not great songs. I'm not a voter and will never be a voter but I just don't think this is the best album of all time. In fact, I would be perfectly fine with this list if they just sawed off the top 3 and left the rest as is: 1. Stevie Wonder, Songs in the Key of Life 2. Beatles, Abbey Road 3. Nirvana, Nevermind 4. Fleetwood Mac, Rumours And so forth. But let's take this album on its own merits. The first of the three absolute bangers is the title track, "What's Going On," the scene-setter for the rest of the album, a loose concept album that's told from the point of view of a Vietnam vet returning to a country th
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