Thoughts as I listen to Rolling Stone's Top 500 albums, from 500 to 1
181. Bob Dylan, "Bringing It All Back Home"
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This album, which is just stuffed with well-known and important songs, kicks off with one of the best of those well-known songs - indeed, one of the best songs of all time, "Subterranean Homesick Blues." I'm going to post the video here, because it's a great song and it was probably also the first "music video," in the sense that it was a short film created specifically to promote the song and the album.
I've listened to this album a few times in the past couple of days, and I just had to stop and watch that video all the way through and listen to the song again. I love how bored Dylan looks (and how young, Jesus), as he flips through the cards and then gingerly walks away. The song itself, clearly inspired by Muddy Waters, is so good that John Lennon, who is not exactly a songwriting slouch, said he wasn't sure he could ever write a song as good. That's a pretty good song.
And that's just the first song! The next song, "She Belongs to Me," returns to the more folky sound associated with early Dylan after the clearly rock-influenced "Subterranean." And then "Maggie's Farm," and then "Love Minus Zero," all iconic songs, and all recorded in two days, January 14 and 15, 1965. That's a couple of good days at the studio! (A personal note: my former cat, who has long since passed on to a higher plane of cat existence, was named "Maggie" after "Maggie's Farm.")
This may be the first album where every single song is blue on Wikipedia. That's how deeply these songs are woven into popular culture. I mean, the 8th track (well, first on the second side) is "Mr. Tambourine Man," which would be such a huge hit for the Byrds that a lot of people assumed it was their song.
The album is roughly divided into the first "electric" side and the second "acoustic side," reflecting Dylan's own position at the time, torn between the pure acoustic folk sound that he had started out with and the heavier rock he was gravitating towards. The latter side closes with "It's Alright, Ma (I'm Only Bleeding)" and "It's All Over Now, Baby Blue," both incredible songs that show off Dylan's jam-packed lyrics. From "Ma:"
Disillusioned words like bullets bark As human gods aim for their mark Make everything from toy guns that spark To flesh-colored Christs that glow in the dark It’s easy to see without looking too far That not much is really sacred
While preachers preach of evil fates Teachers teach that knowledge waits Can lead to hundred-dollar plates Goodness hides behind its gates But even the president of the United States Sometimes must have to stand naked
An’ though the rules of the road have been lodged It’s only people’s games that you got to dodge And it’s alright, Ma, I can make it
It's been observed that Dylan was sometimes doing an early version of rapping - sing-speaking densely lyrical verses, spitting on the social issues of the day (most of which, sadly, remain the issues of the day), and both "Subterranean" and "Ma" show this feature off admirably.
Honestly, I'm surprised this album isn't higher on the list.
Does this album deserve to be in the Top 500? Like you have to ask.
Sorry for the service interruption! Monday I had, like, work stuff to do and yesterday I was picking my wife up at the airport and they lost her bag and we had to file a claim about that and by the time I got home it was well into my Work Hours and you know, I'm just sorry. (This was tail end of quite a journey for my wife that found her taking off in Ireland and landing in Newark, New Jersey, and then sitting in a plane for almost three hours and then the flight just getting cancelled and then staying in the Courtyard by Marriott in downtown Newark, NJ [not recommended, she says] and then getting on a flight to SFO at 6:30 am and finally getting back here a solid 14 hours later than expected.) Speaking of the greater New York City metropolitan area, a group of kids from Amityville, Long Island, got together in 1988 and started making songs and released this album, one of the best in hip hop or any other genre, in 1989. De La have been called the "Beatles of hip...
After yesterday's, um, unpleasantness , it is so nice to get an album like this, an album I love completely that also happens to be one of the Greatest Albums Ever Recorded, Slam-Dunk edition. The opening chords to the first track, the title song, sound like an alarm, a staccato siren, and the song is an alarm, a warning about the myriad fears of the Cold War era, when disaster always seemed a day or so away: The ice age is coming, the sun's zoomin' in Engines stop running, the wheat is growin' thin A nuclear error, but I have no fear Cause London is drowning, I, I live by the river The alarmlike quality of the song is accented by Topper Headon's martial drums, pounding out a march that matches Joe Strummer's guitar. Strummer's voice is typically hoarse and strained, and that quality lends itself to the time-is-running out anxiousness of the song. Strummer's wolf howls and yelps only add to the feeling of doom. I guess this was called "punk,...
Did you notice that every other record so far this week was by a female artist or group? And now dumb old Bob Dylan comes crashing in on Friday to ruin our Grrl Power vibe. Oh well. This is the album that turned Bob Dylan into BOB DYLAN, It was only his second album, but it's full of songs that became nearly instantly famous and remain that way. Everybody was like "Bob how did you write all these songs so fast?" and he literally said (actual quote) "The songs are there. They exist all by themselves just waiting for someone to write them down. I just put them down on paper." Which is kinda true because like half of the melodies are lifted or reworked from older songs. The melody of "Blowin' in the Wind," for example, is based on an old spiritual called "No More Auction Block." I do not happen to love "Blowin' in the Wind" but that's probably because of the saccharine Peter, Paul & Mary version. Bob's ver...
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