238. Kraftwerk, "Trans Europe Express"

 


"Kraftwerk’s 'Trans Europe Express' is the most important pop album of the last 40 years, though it may not be obvious."

OK, calm down a little, Randall Roberts of the Los Angeles Times.  First off, I'm not even sure this is a pop album.  At least not the kind of "pop" that can stand without a synth- or electro- in front of it.  Now, this is certainly an important album, and was certainly influential, but most important pop album of the last 40 years seems like kind of a stretch.  I mean, Thriller is just sitting there going "Wha?"

To me, the funniest thing about this album (well, one of the funniest things, after the song "The Hall of Mirrors," which I'll get to) is the fact that it was recorded at Kling Klang studios in Dusseldorf.  Is there any better example of an album sounding like the name of the studio where it was made?  This album is all klings and klangs and boops and deet deet deet noises.  There is some pop on here, I guess - "Europe Endless" is something like a pop song, if robots decided to write pop songs.,  It's totally enjoyable for whatever it is.  I also liked "Franz Schubert" - the song, not the guy - which sounds exactly like the background music for those time-lapse videos of plants bursting out of the soil and growing and spreading their leaves.  "Abzug" is entertaining, and definitely one of the songs where you can hear the influence this album had.  You can hear everything from Parliament to Joy Division in there.  (In fact, this album was Joy Division's house PA preshow music for years.)

 Now the silly parts.  "The Hall of Mirrors" is all self-serious Germanic iciness with a sung/spoken vocal part that I guess is supposed to sound deeply meaningful:

The young man stepped into the Hall of Mirrors
Where he discovered a reflection of himself
Even the greatest Stars
Discover themselves in the looking glass
Even the greatest Stars
Discover themselves in the looking glass

I can't completely explain why this is so funny, but you get it.  The next song, "Showroom Dummies" ("We are standing here/Exposing ourselves/We are showroom dummies/We are showroom dummies") also has that kind of high-schooler-who-just-discovered-pot philosophy vibe.  (Also the original German title - "Schaufensterpuppen" - is so much better for some reason.)  But hey, I'm giving these crazy krauts a break, it's not their first language.

Anyway, I get it.  Despite the silly parts, it's a totally enjoyable album and it really did set the stage for so much of what followed.  Still, for me this is gonna be an "appreciate" more than "love."  Good music to have on while you're working, though.  (Daft Punk is coming up soon, speaking of influence.)

Does this album deserve to be in the Top 500? I'm sure it does.

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